Case Study

Two for two.

Dr. Miriam Altman — Cape Town jazz pianist. Two recent campaigns, both 2×+ over goal: The Train at 120K+ streams against a 50K target, Don’t You Worry ‘Bout a Thing at 75K+ against 30K. Meta Ads, Spotify Ads, Spotify Playlisting — same playbook, repeatable result.

GenreJazz
BasedCape Town
Campaigns2
Window30–45 days each
StatusActive
Dr. Miriam Altman
JAZZ · CAPE TOWN Multi-channel single campaigns
/01 The Artist

A jazz pianist with an economist’s precision.

Dr. Miriam Altman is a Cape Town-based jazz pianist with a parallel career as an economist — a duality that shows in the music. Her catalog leans into thoughtful interpretation: original work alongside sharply-arranged covers, written and played with the kind of restraint that only comes from knowing exactly which note not to hit.

The brief into TMMA Black was repeatable rather than one-off: build a campaign template that could carry a single from release into algorithmic reach, hit a documented stream target, and then run again on the next release with the same shape. So far, two singles in. Both cleared.

Dr. Miriam Altman
Dr. Miriam Altman
/02 The Brief

One template, two singles.

The first single — Miriam’s reading of Stevie Wonder’s Don’t You Worry ‘Bout a Thing — came in with a 30,000-stream target across a 30 to 45-day window. The second — The Train, an original, more recent — came in with a 50,000-stream target on the same shape.

The mandate: don’t reinvent the campaign each time. Run a single repeatable playbook, prove it on the first release, then scale targets upward as confidence grew. Three channels, sequenced — Spotify Playlisting for editorial credibility, Spotify Ads for in-platform conversion, Meta Ads for off-platform discovery.

Dr. Miriam Altman — single artwork Listen on Spotify
/03 The Releases

Two singles.

Dr. Miriam Altman · documented case tracks

Jazz Piano Cape Town Cover & Original

Restrained, considered jazz piano — an interpretation of Stevie Wonder’s Don’t You Worry ‘Bout a Thing, then an original, The Train. Same playbook, scaled target, both cleared.

/04 The Work

Three channels, one template.

01

Spotify Playlisting

Editorial pitching across global and territory jazz desks, paired with our independent jazz curator network. Save velocity tuned per track — the brief was placements that converted, not vanity adds.

02

Spotify Ads Studio

In-platform conversion. Audio-first creatives built around the most compelling 30 seconds of each track, served against similar-artist audiences in jazz and adjacent genres — with geo modelling per cycle.

03

Meta Ads

Off-platform discovery. Short video assets routed through Meta’s targeting layer to lookalike and interest-based audiences. The Meta layer fed top-of-funnel volume that the Spotify layers then converted.

/05 Results

Both targets, 2×+ over.

Headline figures from the two documented campaign windows. Numbers reported directly inside Spotify for Artists and Spotify Ads Studio.

0K The Train · original target
0K+ Streams delivered on The Train
0K+ Streams on Don’t You Worry · target 30K
0%+ Both campaigns above target
/06 Anatomy

How a 30–45 day campaign moves.

  1. Day 01

    Three channels live

    Spotify Playlisting briefs out, Spotify Ads Studio campaigns built around similar-artist and geo audiences, Meta Ads creative live across lookalike and interest pools.

  2. Day 10

    First read

    Best-performing creative identified per channel. Underperforming audiences pruned. Spend reallocated to the variants converting strongest into Spotify saves.

  3. Day 20

    Editorial & algorithmic compound

    Playlist placements come online. Discover Weekly, Release Radar and Autoplay surfaces start to take handoff from the paid layers.

  4. Day 30

    Target cleared

    Original brief target hit at the 30-day mark. Decision: hold the spend steady through to day 45 to maximise the algorithmic tail rather than close early.

  5. Day 45

    Campaign closes, 2×+ over

    The Train: 120K+ streams on a 50K target. Don’t You Worry: 75K+ on 30K. Final report and learnings handed to Miriam’s team for the next release.

/07 Official Data Reports

Verified data, on request.

Performance numbers from both Miriam Altman campaigns are documented in four official reports. Reserved for verified partners and prospective clients, under NDA.

Reports are shared with verified prospective partners only. Apply to receive the deck.

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